Free ebooks by Kealan Patrick Burke

Posted in horror fiction news with tags , , , , , , , , on August 21, 2011 by jamescarroll1

I mentioned his début collection Ravenous Ghosts in a previous post and now I’ve just found out that the excellent Kealan Patrick Burke is generously giving away two of his books for free.

The Turtle Boy is a novella that I’ve been itching to read for a long time, and now it’s available for instant download in addition to a short story called Underneath.

The Turtle Boy has received rave reviews, so if you haven’t read any of Mr Burke’s wonderful work before, this is the perfect opportunity to start.

Download here and here.

Mangled Meat

Posted in horror fiction news with tags , , , on August 20, 2011 by jamescarroll1

This news had me salivating like a dog. Deadite Press has released yet another Edward Lee collection entitled Mangled Meat. As with Bullet Through Your Face, this one contains three more of Lee’s hard to find and highly sought after novellas – The Decortication Technician, The Cyesolagniac and Room 415.

And as if this alone wasn’t cause for celebration, the word is that later in the year Deadite will be re-releasing what is perhaps Lee’s most highly sought and impossible to find novella of all – the notorious Header.

But until then, get your copy of Mangled Meat here.

Dawn of a different kind of dead

Posted in horror book review with tags , , , , , on August 20, 2011 by jamescarroll1

Dead Earth: The Green Dawn is the début collaboration from two writers I first became aware of several years ago when I stumbled upon their excellent podcast, Pod Of Horror. Not only was POH a highly informative report on the world of horror fiction and the small press in particular, but Justice and Wilbanks were smart and funny and all their joking and clowning around made it one of the most entertaining podcasts the internet had to offer.

These days Wilbanks is no longer a co-host (come back Dave, your country needs you!) and the podcast is a lot more sporadic, but it’s still great and always worth waiting for.

So, given how well these two guys worked together on air, I was keen to see how they would gel as a writing team.

I wasn’t disappointed.

Jubal Slate is a small town deputy who wakes up one morning to find the horizon green and soon learns that something has gone very wrong with the world. The townsfolk have been having lucid dreams about an un-dead army led by a mysterious figure in red and a strange virus has broken out that blisters the skin and turns people into walking corpses.

The plot seems familiar at first, as do the small town characters with their visions of a sinister leader that reminded me of Randall Flagg from Stephen King’s classic post apocalyptic novel The Stand. But where other zombie stories tend to plunge straight into the action from the first scene, Green Dawn takes the time to let the reader get to know the characters first, so that we actually care what happens to them when things start to go bad.

Jubal’s personal loss leads him to strike out on his own after realising he may be immune to the virus and at this point it becomes apparent that the novella is just a prelude to a much larger tale with a science fiction element that indicates it’s going to be something quite different from what the first half of the book would lead you to expect.

Justice and Wilbanks are not only two up and coming writers but also huge fans of the genre they’re now contributing to, and it’s this sense of fun and enthusiasm that makes Dead Earth: The Green Dawn such a fast and enjoyable read that promise great things to come in Dead Earth: The Vengeance Road.

Overpriced print, or How I came to appreciate Ebooks.

Posted in horror fiction article with tags , , , , , , , , , on August 18, 2011 by jamescarroll1

It’s a sad irony of the small press that many of their books are too expensive for the very people who most want to read them: diehard horror fans who aren’t content with what the major publishers have to offer.

I’m talking about actual books here, words printed on physical paper. Up until a few days ago I wasn’t a fan of the electronic kind.
I was raised on print. Nothing will ever replace the pleasure of turning pages. But the average price of a new book from the small press is around $40, and for those of us who live outside North America where the majority of the independent publishing houses are located, the added cost of international shipping can be almost as much as the book itself.

The small press is often where you find the best horror writers, but until about six years ago I didn’t know this. Like most people, I’d previously assumed that the only horror fiction in existence was that which was available in book stores. Usually this meant big names like King, Koontz, Barker, Straub and Rice, with the occasional smattering of the less familiar. These days most book stores don’t even have a horror section anymore and the few titles they do stock are usually scattered among the shelves of Science Fiction & Fantasy.

What’s worse is that these horror titles are mainly entry level stuff, novelizations of popular television shows and books targeted towards teenagers. Last time I was in a bookstore that did have a horror section, it was a space about a metre squared with three shelves that contained a handful of titles by three or four of the big names.

Enter the internet, where I stumbled upon another world called the small press and discovered a stack of amazing new writers. There were a couple of problems though. Their books were not only a lot more expensive but there was a whole back list of titles that were long out of print and either unavailable or going for truly ridiculous prices online if there were still a few copies floating about. For a newcomer like me this was devastating. I bought the few books I could afford and despaired of ever reading the rest.

But the other day I discovered that two out of print titles I’d wanted for a long time had been rereleased as ebooks: The Convulsion Factory by Brian Hodge and Ravenous Ghosts by Kealan Patrick Burke, two of the most sought after and critically acclaimed debut short story collections in horror, as any hardcore fan will tell you.

The few print copies of The Convulsion Factory still out there are selling for upwards of $150. A print version of Ravenous Ghosts is even rarer. In fact last time I checked it’s no longer available at all. The only print copy I’ve seen in the last few years was going for $250 and it was gone within a day.

But even that’s small change compared to the asking price for some books, like Charlee Jacob’s brilliant collection Up Out Of Cities That Blow Hot And Cold, of which only a single copy was available online for years at an asking price of $650. Or Quietly Now, an anthology tribute to Charles L. Grant, that can go for over $1000.

For obvious reasons the independents generally have to charge more than the majors. I can only imagine how hard it must be to run these small operations with only a tiny handful of staff, or in some cases one person literally doing everything. I want to continue supporting the small press wherever I can, but the price of print often makes it very difficult.

Thankfully however, things seem to be changing. Quality small press outfits like Necro and Delirium are now releasing ebook versions of not just new books but many out of print titles that were either impossible to find or outrageously expensive if you did manage to track down a copy.
The ebook versions of The Convulsion Factory and Ravenous Ghosts cost me just $3 each, and with a plethora of other rarities like Edward Lee’s The Stickmen and Operator B now available for under $10, horror fans everywhere are finally able to read many books they’ve been denied for so long.

I only hope that as more people choose to buy ebooks over print, the small press doesn’t increase the price of hardbacks and trade paper in order to compensate for reduced sales. If so, they might be forced to limit their print runs to a hundred or less, and the price of real books may soon exceed the average mortgage payment.

I sincerely hope not. But if it does happen, hopefully there’ll always be ebook versions available from now on so diehard fans and newcomers alike will no longer be left out in the cold.

Vermin

Posted in horror book review with tags , , on August 17, 2011 by jamescarroll1

New review of Scott A. Johnson’s novel Vermin. Read it here.

Walkers In The Dark

Posted in horror book review with tags , , on August 16, 2011 by jamescarroll1

Paul Finch is another great writer I hadn’t heard of until recently.
I’ve reviewed his haunting collection Walkers In The Dark over at Page Horrific. You know what to do.

Patrick Lestewka is a writer you need to read.

Posted in horror book review with tags , , , , , , on August 16, 2011 by jamescarroll1

Some of you may be familiar with the excellent Canadian writer Craig Davidson. He’s the author of Rust and Bone, The Fighter and Sarah Court.
What most of you probably don’t know is that Davidson also writes hardcore horror under the pseudonym Patrick Lestewka.
The man is an amazing talent. I’m talking early Clive Barker, Charlee Jacob, Edward Lee level amazing. His work demands to be read.

I’ve reviewed his superb novella The Coliseum over at Page Horrific. Check it out.

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